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Julian Hatton
Julian Burroughs Hatton III is an American landscape abstract artist from New York City whose paintings have appeared in galleries in the United States and France. The ''New York Times'' described his painting style as "vibrant, playful, semi-abstract landscapes"〔 while ''New York Sun'' art critic John Goodrich compared him to French painter Bonnard. Hatton's abstract landscapes have been compared to paintings by Arthur Dove and Georgia O'Keeffe because of his "unbridled love of pure, hot color" similar to Gaughin and the Fauves, according to critic Ann Landi of ''ARTnews''.〔 Hatton's vision is of "a nature that you can literally eat with your eyes, eye candy transposed onto the entire world," according to critic Joel Silverstein.〔 Hatton lives and works in New York City.
==Early years==
Hatton was born in Grand Haven, Michigan.〔 The cold Michigan climate with two months of good weather each year, contrasted with the cold flat landscape influenced his sense of color, he recalled later.〔 He graduated from Phillips Academy in Andover, Massachusetts in 1974 in the school's first co–educational class. His classmates included jazz Grammy–winner Bill Cunliffe, software financier Peter Currie, actor Dana Delany, poet Karl Kirchwey, political commentator Heather Mac Donald, restaurateur Priscilla Martel, children's TV producer Jonathan Meath, editor Sara Nelson, and sculptor Gar Waterman. He studied Latin with writer Nate Lee. Hatton graduated from Harvard University in 1979 with a major in art history.〔 Painting in the north of France helped him develop his understanding of color and landscape. His first application to the Studio School in New York was rejected since he lacked a portfolio. He studied with painter Fernando Zobel in Spain, returned with a portfolio, and was accepted.〔 He enrolled at the New York Studio School of Drawing, Painting and Sculpture from 1980 to 1982. After school, Hatton lived the life of a struggling artist, working at the Water Club restaurant in Manhattan for eight years.
Later he worked with decorative painters, painting interiors of apartments and restaurants, while living in SoHo. In between jobs, Hatton took his portable easel and paint supplies and bicycled to Breezy Point and Prospect Park. Often he would work new painting over old, using parts of the old painting to help solve formal and symbolic problems, while responding to the landscape at hand.〔
Through trial and error he discovered an innate affinity for bold saturated color as well as a love of abstraction that shadowed naturalism. His work has been called "lyrical." During these years he often worked with fellow artist and wife Alison Berry. His work began to receive recognition, and his paintings started to be shown in art galleries.
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